Dylan Thomas spent the last four years of his life,
1949-1953, living with his wife and children in the Boat House at Laugharne. In his book Quite early one morning he wrote: “I have been living now for
fifteen years or more in this timeless, beautiful, barmy (both spellings) town
… nowhere like it anywhere at all.”
The Boat House, Laugharne Photo: Ann Barrie |
The Boat House is a place of pilgrimage for many people, and
I was pleased that Valerie and I visited first thing in the morning, while it was
still quiet. For three hours we wandered through the furnished rooms, enjoying the memorabilia,
reading newspaper accounts, listening to recordings and studying the photos on
the walls. One photo shows Dylan Thomas and his wife Caitlan in the ferry
(rowboat) that used to run between Laugharne and the Llangain Peninsula; they
look windblown and relaxed; in the boat with them is a woman, stylishly
dressed. Another photo shows assembled
friends and family, including Thomas's mother, Florence, at the Pelican Hotel the
day of his funeral in 1953.
Playing continuously was a recording of Dylan Thomas reading
Under Milk Wood, his famous radio drama set in Laugharne, which he wrote in
1953. Thomas spoke with a rich voice honed by elocution lessons in his youth;
he did not have a Welsh accent. We studied Under
Milk Wood at high school, and senior pupils performed it to an audience. I
vividly recall the beautiful face and dark hair of a girl one year older than me, who spoke a soliloquy wearing a long, white nightdress.
In one of the letters on display, written before his
marriage, Dylan Thomas told Caitlan Macnamara how much he loved her, and he begged
her, “Write to me soon and tell me you really mean what you said about loving
me too. If you don’t, I shall cut my throat or go to the pictures.” He and
Caitlan married in the Penzance Registry Office in 1937. He had numerous affairs
with other women.
A video, playing on a continuous loop, gave an insight
into his childhood in Swansea. I am not familiar with Swansea, and
I imagined it to be industrial, but the young Dylan Thomas had a large wooded
park at the end of his street where his imagination was allowed to run free. The
video also gave clues to what made Dylan Thomas a literary man: his father had
a first class honours degree from the University College of Wales, and Dylan Thomas
grew up in a house full of books; also, he had the opportunity, as a youth, to associate
with intellectuals in Swansea.
The video made the point that Dylan Thomas’s environment had
to be specific, and, most important, it had to include Wales. In this teens he
enjoyed living a Bohemian life in London, but he always returned to Wales. Although he was found unfit for military
service, World War II forced him away, again and again, from Wales – he became
a professional radio broadcaster in 1943, as this provided an income. (His
financial woes are well documented.)
Although the Boathouse appears a reasonable size, it would
have been hard for Dylan Thomas to find a quiet spot in which to work. He did
his writing in a shed converted from a small garage. As you see from the
following photo, the room is set up with Thomas’s jacket thrown over a chair,
and pictures from magazines on the wall. His daughter, Aeronwy Thomas, in her
memoir My Father’s Places, explains
that it was Caitlan who pinned these pictures to the wall, and Dylan did not pay
them much attention. Caitlan would usher him to the shed every afternoon and
guard his writing time.
Dylan Thomas's writing shed, Laugharne Photo: Ann Barrie |
Dylan Thomas's writing shed, Laugharne Photo: Ann Barrie |
Before leaving the Boat House we enjoyed a cup of coffee in
the tearooms. Here is a photo of the Welsh language menu (the first entries translate to
Beverages – Teas – pot of tea per person; and under Coffees the first entry is
Regular coffee). The Welsh language is compulsory for all children
at primary school; I admire the single-mindedness of the Welsh in doing
this, and in promoting their language in general.
Menu at the Boat House tearooms, Laugharne Photo: Ann Barrie |
As we departed, I asked the curator how many visitors come to
the Boat House each year. He said 20,000, which is a manageable number for a
small building.
Blog by Ann Barrie
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